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Nicolae Grigorescu
Heads of Jew of Galicia
nn06
ink,sepia,aquatint
Art Museum,
Cluj
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Nicolae Grigorescu
The Usurer
nn06
Oil on canvas
76x42cm
National Art Museum of Romania
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Nicolae Grigorescu
The Usurer
nn06
Oil on canvas
26x20.3cm
Art Museum
Cluj
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Nicolae Grigorescu
Jew with a Goose
nn06
Oil on canvas
143x75cm
National Art Museum of Romania,
Bucharest
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Nicolae Grigorescu
THe Portrait of Mr.Atanasiade,the Lawyer
nn06
Oil on canvas
75x50.6cm
Art Museum,Cluj
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Nicolae Grigorescu
Porfile of a Young Girl
nn06
1878
Oil on canvas
45.5x29.5cm
National Art Museum of Romania.
Bucharest
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Nicolae Grigorescu
Painter's Wife
nn06
Oil on wood
19x15cm
Nicolae Grigorescu Memorial Museum Campina
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Nicolae Grigorescu
Painter's Wife
nn06
Oil on wood
24.5x14.5cm
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Nicolae Grigorescu
After a Bath
nn06
oil on canvas
54x64cm
Nicolae Grigorescu Memorial Museum ,
Campina
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Nicolae Grigorescu
Three Studies for Sleeping Young Woman
nn06
crayon and stump
Library of the Romanian Academy
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Nicolae Grigorescu
Andreescu in the Landscape
nn06
Oil on canvas
61.5x46cm
National Art Museum of Romania,Bucharest
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Nicolae Grigorescu
Baratia Catholic Church of Campulung
nn06
Oil on canvas
59.5x45cm
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Nicolae Grigorescu
Apple Blossom
nn06
oil on canvas
54x66cm
Art Museum,
Constanta
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Nicolae Grigorescu
Hip Rose Flowers
nn06
Oil on wood
39.1x25cm
Nicolae Grigorescu Memorial Museum
Campina
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Nicolae Grigorescu
Pansies
nn06
Oil on canvas
36x40cm
Art Museum,
Cluj
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Nicolae Grigorescu
Apple Blossom
nn06
oil on canvas
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Nicolae Grigorescu
Roses
nn06
Oil on canvas
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Nicolae Grigorescu
Still Life with Lemons
nn06
Oil on cardboard
22x28.5cm
Art Museum,Constanta
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Nicolae Grigorescu
Still Life with Fruit
nn06
1869
oil on canvas glued on wood
38x71cm
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Nicolae Grigorescu
Ox Cart at Oratii
nn06
oil on canvas
87x131cm
National Art Museum of Romania,
Bucharest
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| Nicolae Grigorescu
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Romanian Painter, 1838-1907
From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.
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